Nikon D90 12.3MP DX-Format CMOS Digital SLR Camera with 18-105mm f/3.5-5.6G ED AF-S VR DX Nikkor Zoom Lens -

Several months before the D90 came out, I bought a D60 to hold me over until the D90 was released. Well, I’ve enjoyed using both cameras, but this one is a huge step up and more suited to an advanced enthusiast, like me. It’s a real pleasure to use.

ERGONOMICS – The D90 is solid, tight, and well-balanced with the 18-105 VR lens. It’s always ready and it shoots very fast. I love all the direct access buttons; they’re easy to press, with good tactile feedback. And since you’re not going into the menus as much, you can work faster. It’s heavier than the D60, but that’s OK. It’s still very manageable to carry around and it fits my average-sized hand better too. The shutter sounds different than the D60 (if that matters to you). It sounds more like a professional camera; more like a fast “whoosh” than a “click-click”. And there are so many internal customizations that you can set it up exactly as you want.

LENS – Biggest surprise was the 18-105 VR lens which I expected would be ho-hum, but turned out to be pretty sharp and clear. Better results than the 18-55 VR. We’ve really come a long way from the days (30 years ago) when you were cautioned to ALWAYS to buy a prime lens, NEVER the kit lens because of it’s poor image quality. With computer-aided design and new technology, that’s not true anymore.

IMAGE QUALITY – I shoot RAW for maximum detail and the ability to adjust settings afterward if necessary – like exposure or white balance. Image quality is very good to excellent depending on your RAW converter. To my eye, best results are obtained with View NX/Capture NX, but Adobe ACR/Lightroom still do a very good job (2010 UPDATE; After using Lightroom the past year, raw conversions are beautiful and far quicker to achieve than Capture NX). When shooting JPGs using the Standard Picture Mode, images are sharp and colors are true, without over-saturation. You can always use different Picture Modes and customize any of them to get closer to the in-camera results you want. For example, you can boost saturation and contrast and save the setting as your default if that’s what you like.

LIGHT METER – Metering is fine and seems to be quite accurate in most cases. I use matrix metering mostly. As with any camera, you have to get to know the meter. If I had to be VERY critical, I’d say when it’s pushed, it’s more likely to preserve shadows than highlights, usually when Active DLighting is on. To me that’s a good thing. Another website mentioned a slightly “over-enthusiatic” meter in its review. The good news is: if you really feel exposure results are not to your liking (whether over or under exposed), the meter is fine-tuneable, so go ahead and customize it as you see fit. I would just work with the meter first -get to know the camera and adapt yourself to it before you start making any adjustments. That said, I’ve used the D90 in a very wide range of lighting conditions and I can truly say that while exposures may vary occasionally, they’ve always made perfect sense for the situation. I’ve never been shocked or puzzled by the output.

LIVE VIEW – is great for the occasional high or low shot. I didn’t think would need it, but when I had the D60, I found myself in many situations where I really could have used it. Unlike a point-and-shoot, focus is slower in this mode and shooting seems somewhat clunky. I wouldn’t use Live View if I were in a rush or trying to get an important shot. It’s just a nice little extra.

MOVIE MODE – this is a nice novelty and may be handy in a rare moment, but I’m generally not a video camera person. I’m surprised to read that some people have made movies and commercials with the D90. I keep promising myself to use this feature more, but I don’t have a tripod and I’m just too jittery and uncreative to get good cinema-like results. Moreover, from the little I’ve tried it, I’m not impressed – there’s no autofocus during filming and the movie comes out over exposed and far from HD quality. The user manual is not very helpful either. But I didn’t purchase the camera for this feature, so I’m not disappointed.

ISO – I really like the new wide range of ISO settings, especially when coupled with the Auto-ISO setting. Mine is customized to keep the camera at ISO 200, but kick in at 1/30. In this example, anytime lighting decreases enough for the shutter speed to drop below 1/30, the D90 will automatically compensate by raising the ISO high enough (up to an ISO limit you set) to help keep your shutter speed at 1/30. Once the ISO maxes-out at your limit, the camera has no choice but to start bringing down the shutter speed. Noise at high ISOs isn’t an issue. In fact, you have to zoom in pretty close for it to be even slightly noticeable. I use Auto-ISO mostly all the time. Its an amazing feature! I only turn this feature off when I want to stick to a particular ISO at all times (if its on a monopod or…

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Traveler (New England) –

  

Pros
The same ISO capability of the D300.
Intuitive layout that Nikon is famous for
Fast – focus, frames per second, and card access
First DSLR to have video, but . . .

Cons
Video has poor audio quality and no AF
Kit lens is not worth what Nikon says it’s worth

Recommendation: Casual users who aren’t concerned about how tough the kit lens is should buy now. Semi-pros who want a good lens might want to wait and just get the body (available about a month after the kit release)

Before making the leap to the D90 I researched this and other cameras for several weeks. I actually wanted the more expensive D300 because of the magnesium body and weatherproofing, but ultimately decided that the $600 difference was too big for just that one issue.

The D90 has the same sensor (or greatly similar depending on the source) as the D300 which means it shares the same great ISO capabilities. 1600 looks fine and you can definitely get usable small prints from even 3200. There are some reviewers on other sites claiming that the D90 has better noise reduction than the D300. Combine that with the the new Nikon VR lenses and you can shoot in low light at ridiculously slow shutter speeds. I’ve always hated using a flash and this camera is going to allow me to avoid using it in situations I never dreamed were possible. I took a shot in a dimly lit room at night and this camera picked up details I couldn’t see with my own eyes!

The control layout is superb. The single button choices make complete sense – ISO, image quality, white balance and previous shot are right there on the left side of the LCD.

I did not buy this camera for its video function. However, Nikon did not deliver the goods here. You can buy a several year old Canon P&S S2 or S3 that shoots video (VHS/regular quality, not HD) at 30fps with stereo sound AND autofocus. If they could put that kind of functionality on a $200 camera it should be possible on a $1000 one as well. It just seems that if you’re going to add a function like this it should have been done well or not done at all. If you’re buying this camera because of its video capability then I would urge you to wait until Nikon or another DSLR maker does it right. Or just buy a separate HD video camera at a fraction of the cost of the D90.

I realize a lot of folks like the kit lens, but it is not the same quality as Nikon’s other zooms in this price range. I read that Nikon says this kit lens, the 18-105mm VR, would sell for $400. Thus the “$100 savings by buying the kit.” I bought the Nikon 70-300mm VR at the same time for about $485 and the build quality is far better with a metal mount and rubber gasket to keep out the elements. The kit lens has a plastic mount with no rubber gasket and it just feels cheap in comparison. If you’re just looking for a basic everyday lens as an average user this might not matter, but if you’re an aspiring amateur/semi-pro this is really not acceptable.

Overall this is a great camera and it is, minus the lack of weather proofing (which I can’t expect at this price range anyway), exactly what I was looking for. It does have its flaws, however. Thus the 4 star rating instead of 5.

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Customer Video Review Length:: 9:06 Mins

It is an amazing camera by Nikon, expecially for amateur and enthusiast level photographers. The feature list is fantastic, plus the fact that it has the sensor of similar quality as the professional grade D300 model, and of course how can you forget the HD video capabilities? The sensor is highly rated for amazing dynamic range and color depth (the blues and greens are dreamingly rich, see my images in the customer images section). Please watch the video for a comparison with Rebel XSi that I owned before this one.

[+++++]:
- Great sensor, amazing colors out of the camera
- Auto D-lighting to restore shadowed regions
- Feels great in hand, very comfortable to hold… lighter than a Canon 40d/50d.
- The optical viewfinder is bright and big, with great coverage
- AF tracking points are easy to spot and switch to
- Great 320K dots LCD
- Video feature is great.. you can make some really slick short movies after some practice. It is a bit difficult to master both autofocus and zoom and exposure control in video mode, but I guarantee you a huge share of fun with it.. especially with DOF tests:-)

[-----]
- My copy of the camera came with one big bright hot pixel that was ON even at low ISOs like 200 and at fast shutter speeds. I was just about to learn to ignore it by using the software to map it out, and 2 more developed within a week of normal usage. Not good for a $1K camera right out of the box. I searched online and found many many others with the same issue. Further, you will have to pay at least one way shipping to a Nikon service center to have them mapped out, and yet they say it may develop more with time. I dont understand why a brand new camera has this issue. And its not just my copy, you can search “Nikon D90 + hot pixels” and you will find many many recent posts on this topic.

- The live view is just a gimmick. It doesnt stand in front of the implementation in a cheaper Canon XSI even. It lacks exposure simulation (the mode which brightens or darkens the LCD view based upon live shot setting changes like ISO/aperture/exposure time etc.). Further, it only goes as high as 6.7X while the XSi and 40D/50D go upto 10X zoom. To add to that, D90 seems to extrapolate the live view image at high zooms from a lower resolution image… showing bad interpolation artifacts like blocks at 6.7X zoom. You have to see it to believe it. Try a Rebel XSi and a D90 live view, and you will know what I mean. Also, there is no exposure scale overlay on the live view image to guide the user whether the shot is under/over exposed. You will have to switch to optical view finder to confirm the shot exposure level. All this renders the live view practically useless for anything but framing a snapshot or a video. In fact it should have been called an LCD view finder and not the live view, which it is not. D90 also only has one auto focus mode in live view which is contrast based, and too slow. Even 40d has a fast phase detect mode. Also, the D90 LCD refreshes only 15 frames per sec while a 40d/50d refreshes at 30 fps – better for sports. If you wear glasses and are hoping this live view will help you take pictures without having to goto the top LCD or the optical view finder, you will be shocked. Having owned an XSi and tried a Canon 50d, I can say with confidence that Nikon really has to improve their live view, or at least stop calling it that. I have let the Nikon customer support know of the interpolation issue at least, and they say it may come as a model update later, probably not an easy firmware update. But their answer was not clear. It took many emails just to explain the problem.

- The zoom (+/-) buttons are for the left hand. They may have been like this for most of the Nikons, but coming from Canon, it was a big discomfort to me to first switch the camera weight to the right hand, then move my left hand to use the buttons to the left of the LCD, then switch the hands back. This can be a pain if you have a heavy lens (like 70-300mm VR) and don’t have a tripod.

- The pixel depth is only 12-bit as compared to 14-bit in a Rebel XSi or a Canon 40d. This is not that obvious, and it is actually surprising that D90 produces great colors for a shorter pixel depth.

- The video mode can possibly age your sensor quicker than it should. Because of prolonged exposures (upto 5 minutes in HD mode), the sensor may develop more hot pixels over time than usual. It is also hard to lock exposure while in video.. else there are jerks when the auto-exposure-compensation mode jumps in as the scene brightness changes.
In conclusion,

- if you can live with a sensor that may come with hot pixels, or may develop more sooner than expected,
- if you don’t mind using both hands to manage controls while also holding a heavy lens,
- if you don’t use live view…

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